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Review of Chance Pe Dance Movie.

You chance upon a crowded dance in a film as the end credit rolls. Here, director Ken Ghosh opens with a dance and also ends with another. Not a bad way to begin a dance film.

CHANCE PE DANCE gives you a funky, Hollywood feel as the two main characters; Shahid Kapur and Genelia D'Souza are introduced. Its breezy flow, a funky and cool Shahid and 'cute chemistry' between the two add to the bliss. However, Ken is not able to maintain the momentum throughout. What must be said to his credit, however, is that he keeps the feel of the film on beat; soft and mushy. Though the end is predictable, it leaves you with a feel-good message... "Never quit, success is round the corner."

KHOYA KHOYA CHAND, LUCK BY CHANCE and now CHANCE PE DANCE have one thing in common - the Bollywood struggle. It's like watching NEW YORK and then viewing KURBAAN. Mercifully, CHANCE PE DANCE has it fundamentals in place and does not make an ass of its script.

Shahid is a struggler from Delhi who has been making the rounds of auditions in Mumbai for over three years, waiting for that one, elusive break that will propel him to stardom. As usual, there are heartaches all along the way. He is signed on for a huge project and before shooting can begin; he realizes that big money has been pumped in by a corporate house, which want to make their hunt on for a star a national debate. The director (Mohnish Behl), who was so impressed by Shahid, can do nothing in front of the money he has seen. However, if Shahid wants to be the star, he can participate, which he refuses.

He bumps into Genelia D'Souza, a choreographer, at a previous audition and both hit it off. While Mohnish Behl has signed Genelia as a choreographer, for the said project, she opts out and then urges Shahid to participate.

Meanwhile, Shahid has been thrown out of his rented apartment because he has failed to pay his rent, while his friend turned out to be a parasite. He ends up living in his second-hand car and lands a job as a dance teacher in a school, where he incidentally, does all his 'morning duties' as well!

Shahid puts in a sincere and honest performance. Genelia, restrains herself, intently keeping her role under Shahid's shadow. A very mature move. This girl is slowly climbing the popularity charts.

For a dance movie though, the dances could have been more bombastic. Honestly, this is just about OK stuff. Nothing stunning or "WOW". All Ghosh had to do was take a Chance on Dance! He doesn't. Remember Flash Dance and Dirty Dancing? They all worked because of the super chemistry between the lead players and stunning dances. There could have been one, if not two between Shahid and Genelia. Their pairing is perfect.

Rann Preview.

A Vistaar and Religare presentation of a Cinergy production, Ram Gopal Varma directed RANN is special because not just it looks at exposing media; it also brings back Amitabh Bachchan with Ram Gopal Varma after SARKAR RAJ. In addition, the film also boasts of an enviable star cast comprising of Paresh Rawal, Ritiesh Deshmukh, Sudeep, Mohnish Behl, Rajat Kapoor, Manisha Koirala, Gul Panag, Neetu Chandra, Suchitra Krishnamurthy, Rajpal Yadav and many others.

Moreover this much touted film is produced by Madhu Mantena, the man who produced the biggest money spinner of all times GHAJINI, and Sheetal Vinod Talwar.

This multi-starrer, which hits the screens worldwide on 29th January 2010, is being distributed in overseas by Studio 18.

In this fast paced drama from Ram Gopal Varma, the master director of SATYA, COMPANY, SARKAR and SARKAR RAJ, one sees a canvas of conflicting yet fascinatingly powerful shades of human character. This heady cocktail of suspense, high intensity and no-frill emotions, makes RANN an edge-of-the-seat drama-thriller that's not to be missed!

Synopsis:

Vijay Harshvardhan Malik (Amitabh Bachchan) has over years been the embodiment of trust, honesty, ethics and responsibility to the entire nation. India's first private news channel, founded by Vijay, is the temple of 'true' journalism. He believes that while everyone is entitled to their opinion, they are not entitled to their own facts!

Pitted against him in the battle for corporate supremacy is Amrish Kakkar (Mohnish Bahl), a former employee at Vijay's channel. Amrish has, in a way, 'revolutionized' the business of delivering news. For Amrish, the media is a vehicle that he rides upon and maneuvers to deliver baseless entertainment. His channel is ruling in terms of viewership numbers.

Vijay is aware of his battle with Amrish's channel, but what hits Vijay is something he wasn't prepared for...

Jay Malik (Sudeep), Vijay's son and CEO, is desperately seeking a way to resuscitate his channel and get it back to the top slot. Jay is a go-getter who looks at his father's channel as an enterprise that must make profits. He cannot digest his rival's channel racing ahead and is set to hatch a major plan that would catapult his channel to the top.

Mohan Pandey (Paresh Rawal), a politician yearning to take the prime post of the country takes advantage of Jay's ambition. But the fulcrum of his plan rests on using Vijay's robust credibility!

They say that wars are won through deception...and this war was no different. Vijay's channel regains the number one slot with panache, as he ends up unearthing one of the most scintillating exposes in the history of Indian news.

Purab (Riteish Deshmukh) has always idolized Vijay as the epitome of truth and turns to a career in investigative journalism at Vijay's channel. The tension soars when he uncovers the truth behind the story that had taken Vijay's channel to the pinnacle. What happens when he confronts the Vijay with the real truth?

Does Vijay have the strength of character to fight between his principles of truth and the corrupt convenience that surround him? Will he be able to undo what he had mistakenly done?

Will Vijay fight the battle to expose the truth...even if it means fighting his own son?

Character Sketch:

Harshvardhan Malik (Amitabh Bachchan)
The founder of the first ever private news channel in the country INDIA 24/7, the Harvard-educated Harshvardhan Malik is India's most respected media personality. He is a hardcore upholder of journalistic ethics. No wonder his Channel is battling for survival!

Jay Malik (Sudeep)
A go-getter and highly aggressive and ambitious son of Harshvardhan Malik, Jay looks at his Dad's news channel purely as a business enterprise that must make profits to justify its existence. He hates that his competition is doing better than him.

Purab Shastri (Riteish Deshmukh)
Armed with a degree in journalism, Purab Shastri truly believes that the media should be the check point for the people of a country, and therefore, it should report news, instead of manufacturing news. Purab's thinking sets him apart from most youngsters of this country. While everyone is chasing their individual dreams, Purab aggressively wants to work towards a better India. Needless to say, a clash between Purab and the powers-that-be looks inevitable. It is dangerous to be right when the government is wrong!

Mohan Pandey (Paresh Rawal)
It is every politician's dream to become the Prime Minister of his country. To that extent, the leader of the opposition Mohan Pandey is no different from his contemporaries. The only difference being - if the need arises, Pandey can and will kill to get the coveted chair.

Amrish Kakkar (Mohnish Behl)
Amrish Kakkar was the first to have the VISION and the foresight to realize that even the business of delivering NEWS can be made ENTERTAINING. Amrish therefore can be safely held singularly responsible for taking the television news industry to the dogs, or to the heights, depending on how you see it. His channel is no less than a shady brothel, the content that is NEWS is no less than a cheap hooker, and Amrish Kakkar - the most powerful pimp around.

Nalini Kashyap (Manisha Koirala)
Nalini Kashyap is the programming head of Harshvardhan Malik's news channel, INDIA 24/7. Having been in the industry for long enough, she has developed a practical view of how things operate here. And this comes in direct conflict with what her boss Harshvardhan Malik, thinks. Juggling the cut-throat world outside with the idealistic universe of her boss, Nalini Kashyap has her job cut out.

Naveen Shankalya (Rajat Kapoor)
Naveen Shankalya, apart from being the son-in-law of Harshvardhan Malik, is also one of the topmost industrialists of the country. Despite this, he is the most insecure man on earth, and won't rest till he becomes the number one industrialist in the country. His best buddy Mohan Pandey becoming the Prime Minister of India will surely help his cause.

Nandita Sharma (Gul Panag)
The assistant of an ad filmmaker, Nandita Sharma someday hopes to bag an independent feature film. She is in a live-in relationship with her boyfriend Purab. Nandita is smart, educated, and intelligent. She is also highly indifferent to what's happening in the country, and first thinks about herself and her man, before anything or anybody else. On both counts, she represents the youth of India.

Yasmin Hussain (Raima Sen)
An ex-model, and fiancee of Jay Malik, Yasmin watches TV, reads gossip columns, and for most part, takes everything that is dished out to her, AT FACE VALUE. She does not understand the intricacies of power games, and hidden motivations behind actions of people. The resources at her disposal to know what is true and what is not, are limited. She is not innocent, and she is not clever either. Yasmin therefore epitomizes the 'common man'.

Anand Prakash Trivedi (Rajpal Yadav)
A creative editor, Anand Prakash Trivedi has a knack for sensationalizing even the driest story and making it sound like the story of the decade with super catchy headlines. More than any filmmaker, he makes far better movies. Only, he calls them NEWS.

Karthik Calling Karthik Review.

There is no doubt that the hugely versatile actor, director, producer, singer and after ROCK ON!!, India's new rock star, Farhan Akhtar, has always brought out the best in the talented trio Shankar-Ehsaan-Loy (Karan Johar being the other). SEL have always delivered classy music for Farhan (and his partner Ritesh Sidhwani), be it the memorable DIL CHAHTA HAI or the techno delight DON-THE CHASE BEGINS and the most recent ROCK ON!!, the astonishing success of which spurred a new trend of rock based music in Bollywood movies. Even though their last venture together, LUCK BY CHANCE, did not do too well at the ticket window, yet its music was amazing with some quality compositions that stood out. So, we set out to explore yet another outing from SEL after their soulful and soothing MY NAME IS KHAN, fully in the hope that our expectations will be met with by the highly talented team.

The album opens with ''Hey Ya!'' a superb propositioning number, a perfect combination of pop and rhythm and beats. The trend of hip-hop that Vishal-Shekhar started in Bollywood was perfected by the talented trio of Shankar-Ehsaan-Loy, who are now masters of the genre. The English prelude is the perfect beginning as it is extremely rhythmic and does not seem to be forced and blends superbly with the 'mukhda' of the song. The intermittent use of the prelude, ''Hey ya, I wanna get closer to you'' adds to the subtle charm of the number. The background music is in keeping with the light mood of the situation and therefore lots of soft percussion instruments have been used by the trio to give the song that feeling of blissful happiness of falling in love. The chorus is once again reminiscent of their DIL CHAHTA HAI title track. There are few who use the guitar and its variants as perfectly as the trio and this song too relies heavily on the stringed instrument. Shankar Mahadevan, Loy Mendonsa and Clinton Cerejo together create the magic through some excellent rendition. Javed Sahab's lyrics are routine and filmy but they suit the situation and are easy on the lips and identifiable as well. ''Hey Ya!'' is light on the senses and has everything that the youth of today will identify with and is also the right choice for the upcoming Valentine month when lovers look for the perfect assortment of romantic compositions as a gift for their valentine. ''Hey Ya! Remix'' by Digital Boyz is catchy and does not dilute the infectious beauty of the original.

For those not quite high on hip- hop, here's ''Uff Teri Adaa'', a superb, high on tempo and beats party track that will surely have the listeners grooving to its catchy rhythm. Shankar's background 'alaaps' and semi-classical rendition in the beginning are a perfect precursor to a highly charged dance track and one is reminded of their JHOOM BARABER JHOOM title track. Sure enough this composition has all the perfect ingredients to scale the heights of popularity charts much in the same manner as JBJ track and should certainly make the rounds of all happening clubs, discotheques and pubs. Alyssa Mendonsa's vocals are delightfully modulated through some digitized singing and she provides the necessary oomph factor in this happening track. Javed Sahab's lyrics are once again filmy, though one expected something out of the box from him. ''Uff Teri Adaa -Remix'' by Udyan Sagar(Nucleya) makes for a pleasant number which one does not mind hearing twice.

It's once again time to get all mushy and romantic as the next number ''Jaane Ye Kya Hua'' unfolds. The number is a soft, extremely melodious love ballad and the USP of the song is KK's brilliant singing. In fact, it appears that the song has been especially crafted keeping in mind KK's forte; high pitched singing. The gradual ascent of the song's pitch, from very low to a very high scale has been effortlessly handled by the artist and it's his sheer rendition that makes hearing this song a pleasure. The flowing chorus is also very addictive and the mouth organ has been brilliantly used in the background to create that effect of effervescent romance. However the song has selective appeal and cannot classify as a chartbuster. Javed Sahab's lyrics this time are befitting of his stature and the effort seems to be there to create something noteworthy. ''Tumhe hai pata, Maine pahli baar jo dekkha tumhein, Mujhe ye laga chahun bhi to kaise paa sakoonga tumhein.''

Kailash Kher's rich, earthy vocals are picture perfect to convey that feeling of sadness and loneliness in the aptly titled, ''Kaisi Hai Ye Udaasi''. The song may not appeal to those looking for another ''Tanhaai'' (DIL CHAHTA HAI) from the team, but this composition has its own beauty and touch. The song begins with soft flute notes and all throughout the music in the background is kept minimal and as a result the vocals of the lead artists, Kailash Kher and Sukanya Purayastha, come across loud and clear. Sukanya deserves a pat on the back for excellent soulful rendition and what must also be kept in mind is that through some effortless and classy singing the lead artists have succeeded in making the morose sounding song quite a treat to the ears. A situational number with limited appeal.

Up next is the strange title song, ''Karthik Calling Karthik'' which can also be classified as the theme song. The song commences with some telephone beep sounds and an array of thrilling musical addendums with mysterious female vocals urging 'pick up the phone'' and 'Karthik calling Karthik'' quite a few times. However, the song which showed much promise at the start, fails to deliver as the drama and thrill that was present in the initial parts vanishes as the main song takes over. The pace is too slow and not befitting of a thriller, although the musical orchestrations do convey that feeling of thrill. Suraj Jaggan, Caralisa Monteiro and Malika Singh pitch in with the English parts which mostly set the pace for a mysterious outing while Shankar Mahadevan comes in with the philosophical touch to the song. The singers no doubt do a good job and as the song is a situational one, a theme song to be precise. The lyrics too are reflective of the movie and one can get a gist of what to expect from the film.

''Karthik Calling Karthik theme remix'' by Midival Punditz and Karsh Kale is certainly a notch better than the original. The thriller aspect that took a beating in the original due to the slow, tedious pace is very much alive and kicking in this version and all credit to the innovative team who have always done a good job for S-E-L since their DON-THE CHASE BEGINS days.

It is Midival Punditz and Karsh Kale who end the album on a high note with the thrilling instrumental ''Karthik 2.0'' which is an adrenalin pumping ride. Composed, arranged, performed and produced by Midival Punditz and Karsh Kale, the heavy rock based piece places much emphasis on percussion and the drumming is a masterpiece act and provides just the right impetus to the instrumental. The crescendo that is reached is not the sort heard in today's time and climax is marvelous as the music comes to a grinding halt, followed by beep sounds. Definitely an instrumental that can be enjoyed during long drives and will be utilized during the tension filled moments of the thriller.

On the whole, the music album of Farhan Akhtar's KARTHIK CALLING KARTHIK does not quite fulfill the expectations and except for a couple of songs, ''Hey Ya'' and ''Uff Teri Adaa'' which should climb the charts, the rest of the numbers are not in the same league. One expected more from the team that gave us such top quality entertaining music in DIL CHAHTA HAI, DON-THE CHASE BEGINS and ROCK ON!!, the songs which are still fresh in the minds of music buffs. However there is still something for the discerning audience who want something different from the usual and not just chartbusters. All the same in this milieu of mediocrity, the album does have some classy songs and is worth a try!

Film Striker Review.

STRIKER, a crime fiction tale about carom player (Siddarth) pitches out hot-blooded gripping anecdote, fictionalized in the underbelly of Mumbai city. For its low profile, bleak face value and zilch promotions, it will be difficult to expect anything that can be termed as musically astounding from it. Against all odds, it lauds out with as many as six different composers. In its packaging of eight original soundtracks, there is listing of composers like Shailendra Barve, Amit Trivedi, Yuvan Shankar Raja, Swanand Kirkire, Vishal Bhardwaj and Blaaze, delivering out the needful. Can the assortment of these potential musicians be able to pile up a reasonable score for the flick? Will this STRIKER be able to hit bull's eye...let's strike this out!

Shailendra Barve's prolific prowess over instrumentals makes surprisingly melodic start with somber ''Sufism'' with vocal delights of Sonu Nigam's enriching voice in ''Cham Cham''. The divine enlightening feel in textures of ''Sufism'' is analogous to Mithoon's ''Maula Mera Maula'' (ANWAR) but the tempo is rather decelerated with prolonged duration that carries slow pitched traditionally classical arrangements with vocals in tandem. Jeetendra Joshi's invigorating wordings about love and divinity brings out contours of subtlety in ''lovey-dovey'' moments. Presumably a background score exhibiting love-chemistry, this subtle-paced ''qawwali'' is another fine exhibit of Sonu's expertise on varying tones with ''classy'' feel attached to it. Barve's aesthetics plays to the galleries well with the flavor of the season (Sufism), getting embroiled well with the decorous romantic sentiments.

CHECK OUT: STRIKER teaches Siddarth how to strike

Lead actor Siddharth take over the mike for tuneful talking about the aspiring escapades in hustling-bustling city of Mumbai in ''Bombay Bombay''. Composed to be narrative background score, this Amit Trivedi's composition boasts of simplistic electronic arrangements with modest Prashant Ingole's wordings to support. It's a visual feel type of experimental number where music is just a ground support to jester out the sentiments.

Yuvan Shankar Raj, a renowned identity in South, comes with his characteristic Tamilian tuneful setting in emoting out situational average score ''Haq Se''. Yuvan along with Siddharth sings out with his peculiar baritones about the dreams and aspirations of the lead protagonist. It's an off beat composition and reminds of a couple of RGV's least heard tracks with minimal impact. Once again, it works more on experimental mode with an off beat melodic works that adds to the gripping moments of the flick.

Surprisingly, so as to speak, this time its lyricist Swanand Kirkire to take over baton of composer with all together feel of racy contemporary Sufi ''qawwali'' in ''Maula''. Kirkire showcases his vocal strength with setting of customary sounding ''qawwali'' feel-good impact. Like all previous tracks, it sounds of an effectual background score with hardly anything sparkling to discuss.


Siddharth as Surya:

Born in a poor family, Surya grows up with few luxuries. The fact that he is a weak child and is frequently unwell keeps him away from school often. While at home he is first introduced to carrom by his elder brother, Chandrakant.

Winning the Junior National Carrom Championship at 11 is not enough to keep the fire for the sport burning through adolescence. Getting a job in Dubai and moving there replaces the passion for the game as Surya grows in to a young man.

Forged by a bogus overseas employment agency, Surya loses all his hard earned money he had saved for going abroad. Reintroduced to the game by his street smart friend Zaid (this time to the hustling scene), Surya starts playing again to not let his circumstances get the better of him, but the other way around.


Aditya Pancholi as Jaleel:

The most dreaded gangster in Malwani, Jaleel is the quintessential anti-hero. Feeding on the bedlam and weaknesses of people, Jaleel has his hands in every law-breaking business conceivable. He spews venom in all directions, and his menacing presence creates fear in the hearts of Malwani's residents.

The flesh trade, drugs, extortion, robberies, etc; Jaleel has a piece in every pie. But his most favored vice is the gambling scene in carrom. A self-proclaimed connoisseur of picking the best in the game, nothing makes him angrier than when one of his handpicked players loses.



Ankur Vikal as Zaid:

Surya's childhood friend and most trusted ally, Zaid is someone with good intentions, but doesn't quite recognize the line between moral and immoral. The lack of a patriarchal influence in his life makes him vulnerable and gullible to evil influences around him.

The desire for quick money and a knack for being street smart; Zaid is fuelled by desire to fulfill his dreams with Surya of changing their circumstances in the near future. He gets involved with Jaleel's gang, thinking it will be as easy to get out, as it was to get in. He is unsure of mind, but is always clear about his loyalties, which are always with his friend.

In his attempt to find solutions to problems, he generally worsens the state of affairs. He is the trigger in creating confrontational situations in Surya's life. His tendency of making light of most scenarios wreaks havoc for both friends.


Anupam Kher as Inspector Farooque:

Inspector Farooque is unlike any other cop in the city. He is honest, tough and smart. Posted in Malwani to curb the ever-increasing crime rate, criminals in the area begin fearing him very quickly.

His goal is very clear- get rid of anti-social elements in the area one at a time. He is not afraid to try radical means to maintain peace in Malwani, even if it means compromising with the very criminals he wants to put down. He is well aware of the shortcomings of being in a society that is corrupt and insincere. But instead of allowing circumstances to frustrate or change him, he rises above and manipulates the same circumstances to do what is best for the people.

Farooque is one of the positive influences in Surya's life. It is because of people like him that Malwani does not explode in the vortex of communal and criminal violence through the many chaotic times seen by the city.


Nicolette Bird as Noorie:

Noorie comes into Surya's life like a breath of fresh air. Her family moves in across Surya's house. She comes from a conservative Muslim background, & Surya is immediately struck by her effortless beauty and innocence.

He has never been in love before, & her addition to his life propels him into action to figure out his future. Her sudden departure coupled with another mishap in his life leave him scathed for a long time to come.




Padmapriya as Madhu:

Madhu is a fisherwoman, who runs a bar and restaurant all by herself. She learns to shed all coyness to deal with the various sorts of customers that visit her bar. She handles her drunken customers with a cool and no-nonsense attitude.

Although Surya frequents her bar often, it is not until much later that he notices her. She treats Surya like any other customer at first. Their interaction begins at a time when he is defeated, broken and at rage with the world. She sees him at his lowest, and what follows is a relationship that is honest and mature

Akshay and Sonam Say Thank You.

The new on screen pair of Bollywood is Sonam Kapoor and Akshay Kumar. According to reports, Sonam Kapoor is in talks with director Anees Bazmee to be cast opposite Akshay Kumar in his next movie, titled Thank You. Akki is a best friend of Anil Kapoor and cannot stop praising Sonam and her acting skills.

A source also revealed that, “Thank You is a romantic comedy and will see Sonam in a totally different role.” Earlier the director was interested in casting Katrina for the role. However, her dates were clashing with her upcoming movie sequel of Dostana. This will not be the first time when Akshay and Sonam are considered together for a role. Sometime ago even Farah Khan was planning to cast Sonam in Tees Maar Khan instead of Katrina.

The movie Thank You will be on the floors by midyear and Sonam will be playing a double role. A close source to Sonam says, “It is a comic caper in true Anees Bazmee style. Sonam has already read the script but is still to make a final decision. At the moment she is in New Zealand shooting for I Hate Luv Storys.” When contacted, Anil Kapoor denied the news of Sonam doing any such movie with Akshay.

Good News For Aamir Khan's Fans.

Recently, at the success party of 3 Idiots, many people noticed that Aamir Khan did not drink alcohol. Even a couple of days earlier at his nephew’s engagement party, Aamir did not even have champagne. According to the news on January 1, 2010 Aamir decided to give up smoking and drinking for the rest of his life. Aamir said, “The next time I invite you home, I will treat you with beer, but I will drink nimbu paani.”

When asked him the reason for quitting drinking and smoking he says, “I just felt like doing it from within. There is no specific reason. Yaar I have put on 10 kilos in recent months. Also, sometimes, I tended to overdo the drinking bit. And I hate it when I feel unhealthy. Therefore, I just decided that I wanted to quit alcohol for life. As for cigarettes, I was never a regular smoker. But I have decided to give it up too.”

Ranbir Kapoor with Kobe Bryant BasketBall Player.

It was a dream come true for Ranbir Kapoor who met basketball player Kobe Bryant during the Lakers vs Knicks game.

Ranbir who is currently shooting with Priyanka in US for Anjaan Anjaani has always been a Basketball fan.

    A friend of Ranbir says, “Ranbir is a huge NBA enthusiast. He follows the game closely. When he found out that there was a game happening in New York, he immediately booked tickets and went for it.”

Ranbir also received Kobe’s jersey and giant sneakers.